[Music]
Come on.
Moving on to our next segment. Standout
moment of the week. Man, he almost
didn't get it out. I could You should
have saw his face. What you did?
I did kind of forget about I did kind of
forget about my responsibility. So if
you're listening to this, go to the
YouTube and see his face because it's a
site.
It was not cute.
Hey, you know mute cutes.
Come to the show. It's a not cute.
Yeah. Everyone married, so I'm not
trying not trying to find a man. I'm not
This is where we talk about our favorite
panel or page of the week. Uh usually
gory, usually shocking, uh usually
standout moments. I loved A Moment from
Amazing Spider-Man number 15 by Joe
Kelly and Amelio Lauso. Uh, obviously
you guys know about this a little bit.
We just talked about it. I freaking
loved this page. So, we got a full
backstory on our uh, alien suit
character and then we turn the page and
we see Spidey's not eaten and this
techno creature has created this
incredible device to open its the jaws
of this beast. And I just love the
detailing of like I think the artist
actually thought like how would the how
would it work to pull its jaws open.
Yeah.
And it just looks so cool. And I love
how casual our alien is. He knows
they're fine. But Spidey, of course,
just a moment ago it was all dark. He
didn't know. And he couldn't move, too,
by the way.
Uh I And it always looks good when you
have this black and yellow look. Go to
aptcommerce.com if you're just
listening. Of course, this art is in the
podcast post, but what a really great
page turner. Yeah. I also love Peter
saying, "I'm sorry I wore you." And
Glitch saying, "We will not speak of it
again." That's such a good response.
Yeah. Yeah.
And I love Yeah. the the mechanics of
it. It's very almost like, you know, uh
I can't believe I'm forgetting his name.
The Green Lantern architect. Uh
Oh, sure. Mhm.
Uh John. him using, you know, like the
hard light to construct these
architectural things that do like
practical
practical stuff in a scene, not just
like weaponry. It's it's very creative.
Yeah, there's like look it there's like
I don't know what you call it, rivets,
whatever where the joints are so that it
actually could turn like there's some
thought going into like how this device
worked
which is really exciting. But uh what
was your favorite panel or page?
Oh my god. I mean just [ __ ] look at
it. Um, my favorite panel was uh, and I
think I think I might have done a
favorite panel from this last time we
recorded, too. I'm not sure.
Giata Belviso's
uh, Carol X Phoenix collab. Um, from
from Stephanie Phillips uh, binary
number two. Um, my god, I am a gay man
and this woman is hot as [ __ ] I'm like,
"Wow, this is such a gorgeous
illustration of Carol." Um, she looks so
cool. The Phoenix Force like it's still
kind of a fiery bird, but it's also this
energy essence and Carol's blonde hair
like as like fire ombre. I just I really
think it's beautiful. Um, every scene
with Carol as Phoenix in this comic just
like impresses me more and more. Um, I
really want to see more Giata art on
interiors. Um, yeah. All I have to say,
just really, really stunning. And I
would easily buy this page as a print
for my wall.
I thought you were going to say sleep
with this character.
I would easily sleep with Carol Phoenix.
Um, no. I would easily buy this as a
print and my god I'm like Gata send me a
DM if you're selling the original
because holy crap this is beautiful.
I I reviewed this issue for AP and I
really like all the space scenes are
gorgeous. Uh Gata but also Rachel
Rosenberg's colors.
Yeah.
Uh all of the space and fire effects are
very very cool. Also very important to
note, uh, Carol is from Beverly,
Massachusetts, which where is where I'm
recording from.
Okay,
that's so funny.
So, I basically I could be looking at
Carol's house right now. I don't know.
She could live there. Who knows?
She could be right there. That's really
funny. Um, also I really appreciate you
highlighting Rosenberg. Never want to
forget the color artist. It's actually a
particularly impressive achievement to
use such a similar color scale and still
make it so dynamic and layered. Like
yeah, look at these like glow effects
here behind the fire. It's really cool.
Very very impressive that it uh could go
from line work to like really popping
off the page like with the color and
shading. So yeah, great page.
Bow show.
Oh yeah.
[Music]
Come on. Woo.
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